12 Moments, An Instructed Eucharist

This past Sunday, in lieu of a sermon, I presented an instructed Eucharist based on my pamphlet, 12 Moments. I commend it to you. You can watch what I said during three times of instruction during the service be viewing the YouTube video below. Or you can download the 12 Moments pamphlet by clicking here.

Continue reading “12 Moments, An Instructed Eucharist”

12 Moments: An Instructed Eucharist

At St. Mark’s on Sunday, June 7th, we did an “Instructed Eucharist.” At four points during the service, we paused and I talked us through what was coming up. I based the instruction on something I wrote a few years ago and revised last week called 12 Moments: Reflections for an Instructed Eucharist. What I said during the service was a very abridged version of this pamphlet. Then I handed the full pamphlet out to folks at the end of the service. You can download the pamphlet by clicking the image below or clicking here.


The Vow

The following post appeared Saturday, March 5th on Episcopalcafe.com, a website to which I am a monthly contributor. Check it out here or read it below.

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A couple of months before our recent wedding, my wife and I sat down with the Book of Common Prayer and turned to page 423. We read the header and the italicized rubrics, and then our eyes fell on those famous words: Dearly Beloved. “We’re really doing it?” she asked. “We’re really planning our wedding ceremony?”

“We really are,” I confirmed. We each held one side of the book as we leafed through the service, discussing music and readings and the people we might ask to participate. When we reached the end of the printed liturgy, she looked at me, confusion written on her face. “What’s wrong?” I asked.

“When do I get say ‘I do?’ ”

I stifled a chuckle, remembering that each of the brides I had counseled before their weddings had asked me the same question. From the days when brides, my wife included, draped white pillowcases from their hair and walked down imaginary aisles lined with dolls and stuffed animals, they had each dreamed of saying those two small words. When they discovered that “I do” doesn’t appear in the beautiful Episcopal liturgy, I had ten-minute mutinies on my hands. “What do you mean I don’t get to say ‘I do?’ I’m out of here. We’ll get married at the VFW hall and my cousin will get a temporary license to officiate and he’ll let me say, ‘I do.’ Come on, dear, we’re leaving.”

After of few minutes, though, they calmed down enough to listen to reason. Now, I don’t relish the thought of destroying the dreams of brides everywhere, so I try to be as sensitive as possible. But when my own bride-to-be wondered aloud about the lack of those two little words, I didn’t really know what to say. My standard pastoral line wouldn’t work on her because I’m not her priest. So instead, I patted her on the back and resisted the urge to say, “There, there.”

A few weeks later, we had our first premarital counseling session, and the priest suggested that we memorize our vows rather than have the officiant feed them to us line by line. We decided to take on the challenge. Each day from then on, we practiced the vows. We spoke them aloud, prompting each other when we hesitated and gently correcting each other when we mixed up the phrases. Over the course of a few weeks, we learned the words by heart.

In the name of God, I, Adam, take you, Leah, to be my wife, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, until we are parted by death. This is my solemn vow.

These deep, rich words sunk into us as we learned them. They are now the bedrock of our marriage, and (I hope my wife agrees with me!) they are so much better than “I do.” These words make me wonder: how often in our lives do we vow something? We might give assurances that we’ll get the paperwork done or promise to pick someone up after school, but we don’t “vow” to do these things.

Vows don’t happen too often. Witnesses swear to tell the whole truth in court; government officials, new citizens, and military folks pledge to uphold the Constitution or obey officers. These are as close to “vows” as people make outside of the covenant of marriage. But the “solemn vow” of marriage is unique in society, and that makes it all the more special.

A vow is neither time nor place specific. It covers more than the limited scenario during which one might make a promise. Indeed, a vow is not promise, but the framework on which promises are hung. This is made explicit by the pairs of opposites that the couple speaks during the vows – better and worse, richer and poorer, sickness and health. The vow is the acknowledgment that life will never quite be the same as it was before that moment, no matter how long a couple might have been living together before marriage. When I vowed to take Leah to be my wife, I entered into a new type of existence, one in which I now (at long last) own the fact that I am not the most important person in my own life. I vowed to cherish her and to love her – come what may. I can think of no greater duty and no greater joy than to explore with her this new existence that our vow has opened to us.

This new existence begins with the vow – not two measly words – but a few sentences that change lives. And the vow begins with a few more words that are more important the all the rest: “In the name of God…” The vow would mean nothing if God were not part of it. Just as the vow is the framework for all promises, God is the framework for the vow. The new existence into which we entered a few weeks ago at our wedding happens with God’s name at the top of the page. It couldn’t be otherwise.

I know that it has only been a few weeks, and we aren’t planning on having children for a while; but I wonder if our future daughter will put a pillowcase on her head and walk down an imaginary aisle? She probably will. But hopefully, we will teach her not to look forward to saying, “I do.” Rather, we will teach her to dream about the deep, rich words: “This is my solemn vow.”

Finding your voice

You may not believe me, but there is a severe malady that targets clergy. To my knowledge, there are no support groups for those with chronic cases and no medical advances from the pharmaceutical companies. Indeed, doctors can do nothing to diagnose or treat this malady. Attacks happen almost exclusively during worship when the cleric is praying aloud and cease only when he or she has stopped speaking.

Liturgical professionals have made great strides in diagnosing this debilitating affliction; after much research, they have discovered that clergy with high self-importance blast counts most often contract it. Once, in the crypt of a great English cathedral, I came across an ancient description, but my memory is now woefully incomplete. My mind’s eye sees a crumbling illuminated page filled with cramped Latin writing. As near as I remember, the recorder named the malady something to the affect of inficere fenestrae voce — what is now commonly called “Stained Glass Voice.”

National Stained Glass Voice Awareness Week
National Stained Glass Voice Awareness Week

If you have never heard of this affliction, please permit me to raise your awareness. “Stained Glass Voice” happens when the cleric prays aloud in a vastly different voice than he or she uses when saying anything else. Indicators of Stained Glass Voice include, but are not limited to, the dramatic pause (especially in the middle of a phrase); syllable elongation (especially “O” as in “O Lord”); pitch augmentation (especially an affected deep voice); and unnatural stressing (especially on words such as “who has”).

Most often, clergy contract Stained Glass Voice because they start acting instead of praying. Usually, they don’t even realize it because the affliction spreads gradually. They say the same prayers over and over again. In subconscious attempts to assuage the encroaching dullness of the repetitive action, they begin to say the words differently. Over time, the Stained Glass Voice replaces the original fervor of prayer, and clerics start competing for Best Supporting Actor in a Collect or Blessing.

Ever since I began leading worship, I have attempted to monitor my own vocal patterns when I pray aloud in church. At first, I suffered from Stained Glass Voice because I had trouble combining authenticity with volume. My natural praying voice is quite quiet, so my own voice felt foreign when I raised it to be heard by the congregation. Since my ordination to the priesthood, I have been praying aloud more often and for longer periods at a time. And I am coming to a point where volume does not inhibit authenticity. Attacks of Stained Glass Voice are less frequent (I hope), and I give credit for my remission to a mentor who probably has no idea how much she has taught me.

A few weeks ago, I wrote about a foursome of women who attend Morning Prayer every single day. One of these women, a beautiful lady whose advanced years have not robbed her of what they called in her day “moxie,” adds a set of prayers near the end of our daily worship. She says the prayers in her normal voice, with the same tone and character she uses after the service when she wishes me a good day. For many weeks, I reflected about how wonderful it was that she prays the same way she speaks. Then I realized why her prayers affect me so. It is not that she prays the same way she speaks. She just never stops praying. In every syllable she utters, I hear her prayer for her friends and her community, whether she is talking about God or about all the doughnuts I need to eat to fatten up a bit.

The Apostle Paul instructs the Thessalonians to “pray without ceasing.” I’ve known few people in my life who live up to such a lofty charge, but my friend at Morning Prayer does. As I listen to her speak and pray at the same time, I am learning how to make prayer an integral part of my life —  to make prayer the studs inside the wall rather than the pictures hung to adorn it. As I continue to grow as a person and as a priest, I hope that my true voice rises to my lips, and that the only stained glass in the building is the windowpanes.


I totally made up the story about the crypt at a great English Cathedral because I couldn’t figure out how to say “Stained Glass” in Latin.