Racing to Meet Us

(Sermon for Sunday, March 10, 2013 || Lent 4C || Luke 15:1-3, 11b-32)

"Return of the Prodigal Son," Rembrandt
“Return of the Prodigal Son,” Rembrandt

After I finish this opening bit of the sermon, I’m going to ask for a show of hands, so please listen to see if you remember this illustration from your youth. You arrive at school one day – perhaps you are a month or two into, let’s say, the seventh grade. That morning before school, you looked in the mirror and grimaced at the half dozen new pimples, which had colonized your forehead during the night. You tried to comb your bangs over the spots, but your hair just wouldn’t stay, so you resigned yourself to the fate of being called “pizza-face” all day. So you walk into the school wishing your forehead were in a less conspicuous area of your body, but you know it’s not, so instead you concentrate on making your entire self less conspicuous.

Halfway through the day, everything is going fine – better than expected even. No one has mentioned your acne; you really haven’t talked to anyone all day, except your best friend at lunch. But then on the way back to class, the day takes a turn. You and your classmates are waiting outside your fourth period room when someone brings up the hot TV show that everyone’s watching. (In my day, it was Dawson’s Creek, but I’m sure you can come up with one.) The show was on last night and something terribly important and life altering happened to the main character. Everyone’s discussing the episode and you just smile and nod, hoping against hope that no one asks your opinion because your mom doesn’t let you watch that show, but your classmates don’t know that and if they did, they’d have another reason to make fun of you.

But, of course, someone does ask, and you stammer out something generic about the show, but it’s obvious you don’t watch. Your classmates start laughing, and you can feel your face getting flushed, which only makes the pimples redder. You will the teacher to open the classroom door, but she doesn’t, so you race off to the bathroom to be alone with your shame.

So don’t be ashamed to admit it – show of hands, how many of you remember a day similar to this one back when you were in that Lord of the Flies–esque jungle known as middle school? …Yeah, that’s what I thought.

You want to know the worst thing about that feeling of shame from long ago? The feeling of shame is still there; hidden perhaps, but there. The context may be different. The constellation of catalysts may be more grown-up. But the disease of shame has – from a tender age – infected each and every one of us.

You can blame Adam and Eve if you like. They are the “Patient Zero” of this disease. After they eat the fruit of the tree, they notice their nakedness, so they cover themselves up with primitive garments. When God comes to them in the cool of the evening, Adam says, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” Here we have the first documented case of the disease of shame. Adam and Eve hide from God because they are ashamed of their nakedness.

Shame, then, is the feeling that prompts us to want to hide – from God, from the world, and especially from ourselves. The disease of shame invades the secret places within us and then starts whispering incessantly: you aren’t good enough. You aren’t worthy. You are defective. How could you possibly think you measure up? And the worst of all:  You are a mess and a failure. How could you possibly think God or anyone else could ever love someone as shameful as you?

I’m sure these debilitating thoughts were running through the mind of the younger son as he fed the pigs. In today’s Gospel lesson, Jesus tells the famous and beloved story of the young man who squanders his inheritance in a far off land. He is destitute when a famine hits, so he hires himself to a pig farmer. On those days when the hollowness of hunger is worst, he longs to eat the pigs’ slop. Jesus chose his details well, for there isn’t a much more shameful position than for a good Jewish boy to be anywhere near such unclean animals. Jews were never to eat pork, let alone touch the pig. And here is the younger son, cut off from his family, wallowing in the mud, hungry, unclean, and ashamed.

You can hear his shame whispering to him, can’t you? How could you possibly think your father will take you back as his son, you worthless swine? His shame convinces him that all of his mistakes, all of his bad choices, all of his ruinous living amount to too much for his father to forgive. Another whisper: How could you possibly be reconciled with all this disastrous baggage?

The younger son agrees with his shame and decides that his father would never bring him back into the family, but that maybe his father’s generosity would extend to hiring him on as a laborer. So he sets off for home. And then something happens that the younger son doesn’t expect, something that his shame had convinced him was impossible. When he is still a speck on the horizon, his father sees him coming and races to meet him. His father runs flat out, as if he can’t bear one more minute estranged from his son. When they meet, the son begins his prepared speech, but his father isn’t listening. He’s already preparing a welcome feast because his son was lost and is now found.

How many of us have let the voice of shame drive us into hiding? How many of us still have the disease of shame eating away at our capacity to give and to receive love? How many of us have let our shame convince us that we are unworthy of God’s attention? I’d hazard to guess that we’ve all been there, feeling like the pimply kid in seventh grade or like the younger son among the pigs.

Perhaps your shame starts whispering when you look at all your bills and realize your salary will barely cover them. Or when you can’t bring yourself to acknowledge the presence of the homeless man on the street in Boston. Or when you say something hurtful to your spouse during an argument. Or when your colleagues don’t think to invite you to lunch. Or when your date stands you up. Or when you look in the mirror.

Whatever the source of your shame, please believe that God our Father is running flat out to meet you in the midst of it. Your shame might tell you to hide. Your shame might tell you that you aren’t worthy of God’s effort. But your shame is lying to you. There is no shame big enough to scare God away. You will never be so defective that God stops desiring to repair you. You will never be so lost that God can’t find you. And when God finds you, you can participate with God in beating your shame into submission. With your shame healed, you might find you are willing to ask for help when trying to make ends meet. Or you might find yourself serving the homeless man at the Long Island Shelter. Or you might look in the mirror and see beauty rather than shame looking back at you.

So the next time your shame threatens to engulf you with its incessant negative whispering, look to the horizon. See the dawn break. See the sunlight racing toward you. And know that God has already run out to meet you in the midst of your shame. God has already enfolded you in a compassionate embrace. And God has already welcomed you back into God’s family, as a beloved child who was lost and has been found.

The Sermon Embedded in “Brave”

If any animated studio besides Pixar had made Brave, then the stitched up tapestry would have been enough. I don’t think I’m giving anything away with that sentence, but perhaps I will with this next one. Brave is a film about reconciliation. Check that. Brave is a wonderful film about reconciliation.

So many of the films that arrive at our movie theaters these days aren’t really about anything at all. They deliver pulse-pounding action or knee-slapping laughs, sure, but they are the cinematic equivalent of what MacBeth thinks of Life near the end of his Shakespearean tragedy. They are “tales told by…idiot[s], full of sound and fury, signifying nothing.”

Perhaps we want our films to signify nothing because we don’t want to be forced to think about them when we leave. Give us enough explosions or bare flesh or bathroom jokes and we’ll be happy. But wallop us with thematic content that encourages us to reflect on our own lives? That’s the property of indie films or documentaries or — gasp — sermons.

Of course, over the last 17 years, we have come to expect more from Pixar. And the amazing thing is that the company delivers again and again. While I’ll admit that Pixar has fallen prey to some of the sequelitis that has reached epidemic proportions in Hollywood, every one of their original properties is about something more than generating revenue for Disney.

The one that started it all, Toy Story, is about unselfishness and making friends. Finding Nemo shows the values of perseverance and never giving up. The Incredibles touts the importance of family. Wall-E is a scathing indictment of the negative trends of modern society. UP teaches that letting go of grief does not mean you let go of the love that activated the grief in the first place.

I know I skipped a bunch, but I’m writing this off the top of my head and it’s been a while since I’ve seen some of the others. I will say that every Pixar movie I’ve ever seen (and I think I’ve seen them all except for Cars 2) made me reflect on some aspect of my life in a way that a good sermon does.

And that brings us back to Brave. First, the film is gorgeous. Digital animation has reached such heights that I could have sworn that Pixar just flew a helicopter around the Scottish highlands to generate their backgrounds. Wow. Second, the story is at the same time fresh and original while being one of the oldest tales in the book. It starts as a straight up story about a princess who doesn’t want to get married to one of the icky suitors. But that’s just the jumping off point. Pretty soon into the movie, the story pivots into a tale of reconciliation between an estranged mother and daughter.

In a brilliant scene near the beginning of the film, the wizards at Pixar highlight the disconnect between the mother, Elinor, and daughter, Merida. Each has one side of the same conversation, but each is speaking their dialogue to someone else. After the inevitable big blowup between the two of them, Merida turns her mother into a bear using an ambiguous spell that a less-than-evil witch/entrepreneur concocts to change the mother’s fate. Over the course of the rest of the film, Elinor can’t speak because she’s a bear (a prim, proper bear, but a bear nonetheless). This allows her to listen and learn from the daughter she is always trying to teach. And Merida realizes that all of things that Elinor has taught her, which she has rebelled against, are truly for her (Merida’s) benefit.

And still Merida hangs all her hopes on stitching up the family tapestry. She thinks that simple gesture will break the spell. But as is the case with reconciliation, the gesture is less important than the exchange of confession and forgiveness. I don’t want to spoil the end of the film, but I left the theater reveling in the awesome power of reconciliation.

Thank you Pixar for another stellar film about something, and about something important. I hope everyone finds the hour and forty minutes it will take to sit through this one because it is worth it. Perhaps at the end of the film you will reflect on a relationship in your life that has become estranged. And you’ll find that the film has bucked the Hollywood trend and helped you take a first step in healing a rift in your own life.

Broken

(Sermon for Sunday, March 14, 2010 || Lent 4, Year C, RCL || 2 Corinthians 5:16-21; Luke 15:-13, 11b-32)

Connie looked especially haggard. For the better part of two hours, I watched her hold a phone to each ear, tap-tap-tap on the keyboard, and patiently plead with belligerent passengers all at the same time. As I inched closer to the desk to change my flight information, I caught snippets of the abuse hurled in Connie’s direction and prayed for forgiveness for the entire irate human race. The reason for the belligerence was simple: the airplane was broken. Some gizmo that keeps the flaps from freezing fell off during the plane’s trip to Nashville. One piece in a hundred thousand broke, and the plane was grounded. One piece – a nothing part, really, until you don’t got one. Then it appears to be everything.

Ironically, Delta had to fly this nothing part, this anti-flap-freezing gizmo, in from elsewhere. The departure time leapt forward, finally settling on 8:00am yesterday morning, a full twenty hours and ten minutes late. With the airplane broken, the system broke down, as well. All the other flights out of Nashville were booked solid. Passengers missed connections. People were stranded and growing more bellicose with every update of the plane’s ramshackle status. And in the middle of it all stood Connie, a wisp of a woman on the verge of tears. She clung to the desk, and she clung to her manners. She was the unlucky target of vented frustration, of heaps of bile, of caustic protestations. And all because the plane was broken.

You’d think that people would be used to brokenness by now. You’d think that people would take the brokenness in stride because brokenness marks our lives everyday: broken homes, broken bones, broken pavement, broken promises, broken ecosystems. You’d think that this brokenness would come as no surprise. But every time we encounter brokenness, we seem to react with astonishment and incredulity. How could your best friend betray your trust? How could the kid break his wrist right before the big game? How could the airplane be grounded?

While brokenness does seem to mark our existence, I think we react with astonishment because in some deep place within, we know that “broken” is not the way things are supposed to be. We believe that God created everything and called Creation “good” and never made a thing called “brokenness.” And yet, brokenness crept into Creation. Separation and division soon followed. Today, we see a broken world, and we know that it could be, that it should be – better.

And in that seeing, in that knowing, we hear God calling to us, inviting us to work with God’s help to repair this brokenness. In today’s lesson from his Second Letter to the Corinthians, Paul tells us that God “has given us the ministry of reconciliation.” He continues, “In Christ, God was reconciling the world to himself, not counting their trespasses against them, and entrusting the message of reconciliation to us.”

The world needs this message of reconciliation because the world is marred by broken relationships that need repairing, separations that need healing, divisions that need stitching up. When Jesus welcomes and eats with “tax collectors and sinners” in this morning’s Gospel, he models the ministry of reconciliation. The scribes and Pharisees like their society just fine the way it is, and they grumble when Jesus upsets the brokenness with which they have learned to live. So Jesus tells them a story about a family, a family marred by brokenness, a family in need of reconciliation.

The younger of two sons presses his father to give him his share of the inheritance. The father acquiesces and divides his property. The younger son takes his portion and travels to a distant country where he squanders his fortune in what the King James Version calls “riotous living.” So I’m wondering: what’s the younger son’s sin? At first glance, his sin sure seems to be his debauchery, given his status as a decadent wastrel. And while this qualifies as sin, I don’t think his prodigality takes the top seed.

Instead, his major sin is the division caused by his separation from his family. Jesus makes a point to say that the father divides his household to fulfill his son’s wish. And then the son doesn’t settle nearby, but in a “distant” country. With the division and separation complete, all that’s needed is a famine for the younger son to notice his folly. When he comes to himself sitting in the filth among the pigs, he realizes the brokenness his departure caused. He no longer feels worthy to be called a son, so he prepares himself to live with the brokenness and to be considered a hired hand rather than a member of the family.

At this point in the parable, I imagine the scribes and Pharisees nodding their heads in approval. The younger son defiled himself. He is unclean after touching all those pigs. Of course, he mustn’t be welcomed home. But Jesus isn’t finished telling the story yet.

The younger son travels back to his father’s house, and yet he’s aware that it will never be home again. His decision to separate himself from his family saw to that. But when he is still a vaguely human shape on the twilit horizon, his father sees him and runs out to meet him and embraces him and kisses him. “I am no longer worthy to be called your son,” he says. But his father will not tolerate the separation, the brokenness any longer. “This son of mine,” he says, “was dead and is alive again; he was lost and is found.” This son of mine. With these words, the father repairs the broken relationship, and the two are reconciled.

At this point in the parable, I imagine the scribes and Pharisees raising incredulous eyebrows. Now the father is unclean, as well, because he touched the younger son before he purified himself with the appropriate rituals. What kind of family is this? But Jesus still isn’t finished telling the story.

A celebration for the younger son’s return begins. His elder brother hears the revelry coming from the house and asks a slave what’s going on. When he finds out about his brother’s return, he will not enter the house or join the party. The elder son echoes his brother’s sin by separating himself from the celebration. When the father comes out to plead with him, the elder son shows his own division from the family. He calls his brother “this son of yours,” thus ignoring the fraternal relationship. And rather than working like a son, he says, “For all these years I have been working like a slave for you.” Like a slave. Like the hired hand the younger son was prepared to be.

But the father continues to repair the brokenness in his family. “Son,” he calls his eldest. There is no division between us because “you are always with me, and all that is mine is yours.” Then the father attempts to heal the fraternal separation by emphasizing the sons’ relationship to one another: “This brother of yours was…lost and has been found.”

As the parable ends, I imagine the scribes and Pharisees noticing that they themselves look an awful lot like the elder brother. I wonder if their own irritation with Jesus deafens them to the reconciling nature of the father in the parable.

Both sons separate themselves from the family, the younger through taking his inheritance to a distant country and the elder through refusing to join the celebration. But their father goes out and meets both sons in their brokenness. He runs up to the younger when his son is still far off. He leaves the party to be with the elder. When neither brother feels much like a son, the father practices reconciliation and repairs his broken family.

The father refuses to separate himself from his sons. Likewise, God refuses to be separated from us. Our sin may separate us from God, but God never separates from us. As Paul says, God “reconciled us to himself through Christ.” God never gives up on relationships with us. Instead, God continually brings us back into relationship with God. We may be broken, but God is whole, and so we can find wholeness. We may be separated, but God is welcoming, and so we can bring welcome. We may be divided, but God is One, and so we can come together.

Today, we see a broken world, and we know that it could be, that it should be – better. We know in that deep place within that the world is not supposed to be broken. And we also know that God has reconciled us to himself in order that we might engage in a ministry of reconciliation to this broken world. The question is: will we?

And the answer is this: we will, with God’s help.

Notes

* The first person to notice and correctly identify the reference to Joss Whedon’s Firefly in this sermon wins five points. (These points aren’t really redeemable for anything, but hey, you should try to get them anyway.)

* If you are as big a fan of Firefly and Serenity as I am, you may also notice that the overarching theme of this sermon is pretty similar to that of the film Serenity. And no, that’s not the reference. The reference is incredibly specific.